Champagne and Hot Dogs
A cool August evening brings me to
Southern California’s favorite summer destination – the Hollywood Bowl. If you’re on the inside, you’re treated to picnics, live music, fun crowds (who often sing along although they’re lectured to let the singers do the singing), and sometimes fireworks. If you’re on the outside, you’re stuck in the unbelievable traffic.
I’m always at fun events. I’m always working at fun events. I see the other side. You’re spending your money like candy; I’m working like sugar to make my money. You’re on the inside having fun; I’m on the outside making sure you’re having fun. I’m always stuck in unbelievable traffic.
But once in awhile, I get invited in to see how the other half lives.
Tonight I am your Champagne girl. I’m at an outside booth with another lovely and we’re poppin’ and droppin’ corks till our hands are bruised from the cage and frozen from the ice bucket. But we’re sweet like sugar and we keep our smiles. I keep my comfort with my dirty little secret – flat shoes. We’re behind a table so no one suspects that my elegant evening dress ends with a pair of potato mashers.
Boss is happy with our pouring and social skills, and whips out…extra tickets to tonight’s concert! A triple dose: beginning with Paolo Nutini, stuffed with Soloman Burke and ending with the one, the only…Etta James (of “At Last” fame)! A tragic lover of jazz (in a city of hip hop fanatics), I burst with joy and claim my ticket to the other side.
Paolo begins his set as we’re pouring the last dregs. We find our middle seats as “New Shoes” strikes it’s last chords and Paolo’s stage is rotated to the back and Soloman Burke’s rotates in - revealing him sitting mightily on his huge red throne donning a black suit specked and sparkling of diamond bits, and surrounded by beauties enveloped in shiny gold dresses. Larger than Ruben Studdard at his largest, he fits snugly in his throne, not daring to stand, and sings with a depth and sex and humor that causes the women behind us to swoon and scream…and sing along…to every note.
We settle in and Boss pours us a glass; in my right hand I’m sipping Rosé, in my left hand I’m devouring a juicy hot dog. Hot dogs and champagne. Damn, I’m living the life. It only gets better as the King’s attendant mops up his bald head with a rag. And he does it with such a smirk and a smile that I don’t know if the joke’s on the King, or on us.
The audience goes crazy as King lets some ladies from the box seats climb aboard the stage for a ride. White women with their white dresses and their white moves groove to the oldies as Burke sings the Blues. And I’m tickled pick; not just from the dog and the Rosé. They gather at his feet and gaze up at him with wet in their eyes, and he hands them each a flower which they breathe in with a sigh, and as he leans in to deliver the verse, his attendant steps in and mops up his head.
Sadly, his set is done, and his stage is rotated out, which brings out the beast, I mean, best: Etta James. She walks on with a swagger, all 70 something years of her, and plops herself down in a chair down center. The crowd goes wild and the women behind us who swooned for the King, now scream for the Queen, and nod their collective heads with approval for how well she looks for her age.
She speaks with the swagger she walked in with and tells us she likes “to do them sexy songs.” She tells the band to hit it and speaks her gravel into the mic; growling and purring this 70 something beast ignites the women behind us as she touches herself. The song speaks of a lover and she bites and licks her manly shaped mic. And the men don’t know what to do. They don’t know if they should be turned on by Mrs. Robinson or slightly repelled by this 70 something suggesting quite vividly what she would do to them if she got them alone. Hell, they didn’t know if she’d even wait to get them alone, or attack them in public. And the women scream “Hell, yeah!” as she moves her hand from her knee up to her thigh and into her “no no,” and keeps it there for some time as she grabs and rocks and bites her mic. “Um, hum! You go girl!” nod the fanatics behind us. And she does – the rubbing continues, this time, her breasts. Then her wild hand makes another dip south, moving searchingly from said breasts to her favorite landing spot.
And I think: what would Britney do? These are moves that even she would get in trouble for. I’m deeply divided: I love that an older woman can claim her sexuality, I’m not sure if I love that she claims it so graphically, and repeatedly. These same women behind me that applaud “empowerment” for the older women are the same type to brand Britney a “slut” for even lesser moves. And it makes me wonder: do women only applaud sexuality in other women who would never be a threat?
But another sip of Rosé wipes all my troubles all away, and as I’m kissed by the cool yet temperate summer air, I can’t help but remember (with all it’s humor) - I’m on the inside looking out. (And I left early enough so I wasn’t stuck in unbelievable traffic!).